mid-process jitters

The studio process has fallen into a certain rhythm this week, a kind of flexible consistency that ebbs and flows according to how well a certain hue or texture works on a given panel. Some pieces become problematic, others turn out well, and I am learning how to change and correct things I don't like. It feels good to fall into a smoother pattern of work and not be flailing around. On the other hand, I'd like to have a sense of control over the forward motion, rather than feel like I'm on a freight train barreling ahead without a sense of direction.

The 2"-cradle Gessobords that I have in stock are now all covered with at least one layer of paint. The pegboard wall on my studio almost overflows with arrangements of panels, which I change daily. As I become more confident of producing interesting panels, my anxiety is beginning to shift to the question of the montages and whether the panels will in fact go together in any meaningful way.

Thus arises another question of balance, this time of planning and spontaneity. I don't want to paint a given panel specifically for a given spot; my aim is rather to have a group of panels that I can play with until I find a series of good arrangements. On the other hand, I want the montages to show a variety of colors and textures rather than create a monochromatic and monotonous show. To the extent that I am still referring to the landscape in which I live, it is anything but monochromatic and monotonous. The photo above represents what I mean: It is a view of the northwest corner of our valley.