I am visiting a friend in Sedona , AZ , a familiar, periodic trip that I make. The 8-hour drive south is frequently a meditative one, on roads lightly traveled, through the Grand Staircase country of southern Utah and northern Arizona . I went to high school just outside Sedona, and my friend is also a former teacher of mine from those years. Her house is almost a second home, and the chance to visit with her, as well as the change in climate and scenery, are always welcome.
Thinking about my painting today as the miles rolled by, ideas came to mind that I want to record here, since I won’t be back in the studio for a week. The start I made on “arc”, with the rough drawing at its bottom layer, is interesting enough that I wonder about making that base layer a black/white (well, low value/high value, anyway), more detailed layout for later layers to cover up and reveal. I think it is worth a try. The only question is how much of an actual drawing to make, whether to go into detail (which would require more detailed brushwork than the spirit of cold wax as I interpret it provides), or perhaps just record broad value blocks, similar to those of “arc” but taking them a bit farther. More to experiment, here.
Another idea to record for future reference: to keep going with layers until I am satisfied, to not accept as final a stage with which I am not completely happy. I was showing an 8"x8" (posted here on September 29th) to an artist friend of mine tonight, telling him I wasn’t sure it was finished, and he asked what I might do with it to take it further. It was a wonderful question, and forced me to really think about what the options are. I managed to come up with four, each better than the previous, until now I am eager to get back to the studio and back to it ( I’ve been letting it sit for several months, not knowing what to do). It’s wonderful what having a fellow artist to talk with can do….
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